Q: No pressure, right? But it’s your project, so you can do what you want with it.Ī: Well, as long as I’m respectful of Peter, Michael and Bill ’s opinions of it. I mean, I’ve heard it, but the sheet music is just now being written as we speak - which means if people don’t like it, it’s my fault. It’s kind of an experiment and it’s literally an exploration. Q: Have the other members of the band heard this material yet?Ī: Nobody’s heard it yet. Then for the second half, the concerto will be performed for the first time with a full symphony orchestra. You’ll hear them in a way you’ve never heard them before - deconstructed and reconstructed. The first hour of the show will be their takes on those songs. songs each and said, ‘Ok, have fun with this.’ So Carl Marsh, who arranged Big Star’s “Third” record, and David Mallamud, who did the arrangements for the concerto, both got about 25 minutes of R.E.M. For the first half of the show, I gave two arrangers about five R.E.M. This is a new one where, instead of including a string orchestra, we have the full symphony. The piece that Bobby McDuffie commissioned me to write some years ago for violin, rock band and string orchestra has several iterations, including a standalone performance.
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